A Brief Note On The Civil War And The Beginning Of...

Vincent Vincent Afro American 133 Professor Toussaint Losier 10 March 2016 Midterm Exam Essay 1. Emancipation is now viewed as a process rather than a single act. Describe this process from the beginning of the Civil War to the beginning of Reconstruction. Who were the major players and what were their contributions to Emancipation? In particular, how did African Americans, both enslaved and free, push forward this process of emancipation? Introduction - Emancipation in General The election of President Abraham Lincoln on November 6, 1860, was seen as a new fresh air for most African American people back then. The emancipation proclamation was then declared on January 1, 1863 by President Lincoln in Washington D.C. President Lincoln in†¦show more content†¦Border states were supporting slaveries at the time and that was why slavery became an unavoidable issue along with the Civil War. Civil War The Civil War officially started on April 12, 1861, when the confederate troops attacked federal garrison at Fort Sumter, South Carolina. Three days later on April 15, President Lincoln issued proclamation calling for troops to put down the rebellion. Generally, slavery was the primal cause of the civil war as Frederick Douglas said in the McPherson’s book, â€Å"The simple way, then, to put an end to the savage and desolating war now waged by the slaveholders, is to strike down slavery itself, the primal cause of that war.† Generally, the Civil War was caused from the different views of slavery between the North and South. Later on, Southern states decided to secede and caused many slaves to escape from South to North, which then triggered the war even worse. In the beginning of the war, North was not really agree with the idea of African American people fighting in the war. However, it came to a point where the North was lack of soldiers and powers. The decision to in clude African American to the troops then was inevitable. While the majority of black troops in the South were slave, in the North, the black troops were free blacks. In fact, the presence of African American did change the war map. Black troops proved their determination and willingness to fight in the war, which was reflected from the Massachusetts 54th and 55th

Unit 412 Equality And Diversity - 1324 Words

UNIT 412: EQUALITY AND DIVERSITY IN HEALTH, SOCIAL CARE OR CHILDREN’S AND YOUNG PEOPLE’S SETTING The Equality Act became law on the 1st of October, 2010, replacing prior legislation such as the Race Relations Act 1976 and the Disability Discrimination Act 1995. Broadly, it ensures regularity in what employers and employees are required to do to make their workplaces a fair environment, conform and abide with the law, defining the nine protected characteristics, Age, Disability, Gender reassignment, Marriage and civil partnership, Pregnancy and maternity, Race, Religion or belief, Sex, Sexual orientation . It comprises of three sets of main guides which in summary, stipulates the following ; †¢ Equality and Discrimination: understand the basics – This identifies with and outlines the essentials of what employers, and employees and their representatives need to know, and must and should do to make their workplaces a fair environment and act in accordance with equality law. †¢ Prevent discrimination: support equality – This sector of the act explains where discrimination is most likely to occur in the workplace and how to stop it happening †¢ Discrimination: what to do if it happens - is a step-by-step guide covering how an employee should raise a complaint of discrimination and how an employer should handle it. The above guides not only relate to the workplace, but can also be applied to the society at large and within the adult support work role. 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Bottom lines Essay Example For Students

Bottom lines Essay When TCG published its first annual economic survey in 1974, new theatres were springing up in every corner of the country; playing to expanding subscription audiences; touring their work widely; providing employment for a growing number of artists; attracting support from individuals, foundations, corporations, federal and state arts agencies. Acknowledging that the arts represented a valuable cultural and economic asset, community leaders vied to attract artists, and built theatre districts and cultural centers to house them. These districts and centers promised to provide stimulating community gathering places, alternatives to the suburban shopping mall, where people of all stripes could come together in a shared cultural experience. Those were the glory days of the arts, born of the vision of John Kennedy, the action of Lyndon Johnson, and, perhaps ironically, the political support of Richard Nixon (and his superb Arts Endowment appointee, Nancy Hanks). But it was people at the local level who made it happen. In the otherwise grim picture reflected in Barbara Janowitzs Theatre Facts 92 report in this issue, its still people in towns and cities across America who provide hope for the future of the theatre. And it is to them that government and philanthropic leaders should look for cues in developing arts policy. This years survey reveals some very disturbing trendstrends that would jeopardize the existence of all our theatre institutions if they become chronic patterns. * Jobs: Institutional downsizing is seriously diminishing opportunities for full-time employment in our highly labor-intensive field. * Economic Impact: Theatres scrambled to compensate for the first-ever loss of subscribers by selling more single tickets, but the loss of committed patrons who sign on to see all the plays of the theatre season may have serious ramifications for future attendance levels, fostering market-driven programming, while forcing theatres to spend scarce resources on much more costly show-by-show marketing. Arts institutions serve as magnets for patrons of local businesses, which would be compromised by losses in theatre attendance. * Outreach: The devastating 40 percent drop in touring performances in just two years reveals that our primarily urban-based theatres are no longer able to serve audiences in regions that may have no other access to professional theatre. And, as theatre economics force ticket prices up, theatre may become inaccessible to younger and less affluent audience membersat the very time many theatres are reaching out to new and more diverse audiences. * Artistic Growth: Theatres have experienced a more than 60 percent decline in developmental activityworkshops, staged readings and other play development programsover the past five years. Without the ability to nurture artists and incubate new work, theatres could simply become museums for the work of the pastor worse, centers of mediocrity. We have never had a more talented pool of American artists. But many theatres have had to decrease cast sizes, turn away unsolicited manuscripts, reduce production budgetsall diminishing the possibility of fulfilling the artists vision. No wonder we are witnessing a talent drain to more lucrative fields of film and television. After three decades, the nonprofit professional theatre movement should have progressed beyond talk of survival. We must now reexamine how nonprofit theatres do business, how artists careers develop, how boards function and how the private and public sectors support the arts. Some important initial steps: Government agencies, foundations and corporations should reexamine their funding policies, recognizing (as a recent Grantmakers in the Arts survey points out) the crucial need for general operating support to keep theatres secure in their primary missions. Recognizing the arts as an important investment in our future, the Clinton Administration and Congress should support the goals of the NEA and increase its small but vital appropriation. They should also reconsider the recent reallocation of NEA program funds to state arts agencies, now that Theatre Facts 92 clearly illustrates that theatres have experienced severe cuts from both state and federal sources under this new formula. At the same time, individual artists and artistic directors must join together for an in-depth exploration of ways to advance the art formto reverse the talent drain, nurture American theatre artists, provide for organizational stability. TCGs five-year long-range plan includes a blueprint for just such a process. (This National Theatre Think Tank project awaits only the funds to make it a reality, as TCG, too, struggles to balance its budget while launching new initiatives.) The complex pattern of support that ensures the survival of the nonprofit arts is unique, depending not on major government subsidies, but on a combination of earnings, private contributions and government grants, along with certain privileges accorded to tax-exempt organizations. Soon, as federal officials consider legislative solutions to our current economic crisis, a number of actions could affect the artsincluding the possible elimination of nonprofit postal subsidies (a lifeline to theatres direct-mail marketing and fund-raising), and at least four separate tax measures that could affect private giving incentives. Should these be resolved in ways unfavorable to nonprofit theatres, the combined impact could prove draconian. The good news in Theatre Facts 92 reveals that support of the arts begins with the people at the local level: attendance levels didnt fall despite a crippling recession and rising ticket prices; contributions from individuals rose more than 10 percent; city and county governments demonstrated local support by increasing funding by more than 7 percent in spite of financial stress. This is evidence that the electorate places importance on the arts; ways must be found to protect the fragile economy of the arts while we go about the business of getting our nations economy back on track.

Safety glasses analysis Essay Example

Safety glasses analysis Essay The surface finish of the glasses and texture is smooth and polished and the shape of the glasses is suitable to the task. However the overall style and image is unattractive and the aesthetic qualities could be greatly improved. This product is well suited to its purpose as the product is made of a hard material that is not easily broken or shattered. The safety glasses can be adjusted to suit the wearer and are adaptable to all environments in the workshop. This set of goggles are very attractive and aesthetically pleasing, also they are very well constructed and impact resistant therefore they fit their purpose very well. The head strap is adjustable and made of a flexible comfortable material that moulds to the contours of the wearers head. The design of these goggles is very modern and streamlined. They are nicely shaped and very colourful. The lens is tinted and looks nice as well as helping youre the view of the wearer when underwater The Freedo race Swimming Goggles have an angled lens which is designed to reduce the head movement of the swimmer. We will write a custom essay sample on Safety glasses analysis specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Safety glasses analysis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Safety glasses analysis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer These swimming goggles have a split silicone strap with a self adjusting nose bridge, to enable the swimmer to fit their swimming goggles properly. Welding lenses are an essential safety feature in the welding industry, where sudden flares and intense light can cause eye damage and irritation. It is important for any welder to learn how to select, maintain and equip welding lenses. This lens is easily the most effective because of it protection range and its ability to be easily replaced and maintained.